A scorching Las Vegas summer is about to get even hotter.
Aspiring journalist Copper Black has just found out that her boyfriend is responsible for his not-quite-ex-wife’s pregnancy. An unexpected house-sitting job at a notorious Las Vegas “party house” should provide not only a pool with a swim-up bar but also much-needed distraction.
While researching a story about an exclusive private school, Copper accidentally discovers the dead body of the school’s beloved founder. Now involved in a high-profile murder investigation, Copper turns to her brother, a civic-minded pastor who is overseeing the construction of a center for the homeless. A Paiute medicine man claims the site is a sacred burial ground, attracting hordes of protesters.
As she tries to solve the murder, help her brother, advance her career, and sort out her love life, Copper stirs up a world of trouble. Her escapades as she evades a sociopath, a disturbed cowgirl, and a suspicious homicide detective make Megan Edwards’ rousing debut novel Getting Off on Frank Sinatra a nonstop roller coaster of a read.
Winner, Independent Book Publishers Association Annual Award: THE 2018 BILL FISHER AWARD for Best First Book: Fiction
Purchase Getting off on Frank Sinatra: A Copper Black Mystery
Megan Edwards is the author of the recently published novel A Coin for the Ferryman. Her other books include the travel memoir Roads from the Ashes: An Odyssey in Real Life on the Virtual Frontier, the humor book Caution: Funny Signs Ahead, the award-winning Copper Black mystery novels Getting off on Frank Sinatra and Full Service Blonde, and the award-winning novel Strings: A Love Story. Edwards holds a B.A. in classics from Scripps College and an M.A. from Claremont Graduate University. She has lived and traveled extensively in Europe and spent nearly seven years “on the road” all over North America. Now at home in Las Vegas, Nevada, she is working on her next book.
“Edwards makes an assured fiction debut. This amusing mystery stars aspiring journalist Copper Black, a contributor to a Las Vegas newspaper, who must navigate a multitude of personal and professional hurdles…Copper learns enough secrets to make deadly enemies before emerging bruised, battered, victorious, and primed for new comic adventures.”— Publisher’s Weekly
“Copper’s debut has enough pizzazz to make readers want to try just one more roll of the dice.”—- Kirkus Reviews
“This is a novel that has action, drama, comedy, suspense, a few surprises and paints a colorful tapestry of modern Las Vegas.”- The Good Men Project
“‘Getting off on Frank Sinatra’ is a wild romp through Sin City through the eyes of the main character, Copper Black, who finds herself knee deep in a murder mystery.”– Francine Brokaw, The Daily Herald
“The setting of the story, in fast-paced Las Vegas, is an excellent choice for this mystery/thriller, considering the tendencies toward loose living, crime, love gone bad, and people who live on the edge. An enjoyable read, characters are easy to like and one wants to take Copper under their wings and guide her along..”– Carol Hoyer, Reader Views
***** “Copper Black is not your typical Vegas girl, and this is not your typical cozy mystery! Copper Black is an up-and-coming journalist, who is quick-witted, smart, and has delightful spunk … and she has just uncovered the murder of the decade! This was an immense joy to read, and I just could not put it down! You have a fan for life,”– Amanda Goodpasture, NetGalley
“With a narrative highlighted by light violence, and a fish-out-of-water protagonist stumbling over clues, Edwards’s “Getting Off on Frank Sinatra” proves to be a nimble beginning for this crime series.”– Gary Presley, Foreword Reviews
“From its sly title to its high-energy ending, Getting off on Frank Sinatra is a delightful romp rooted in Las Vegas’ intoxicating history. In this sunny crime drama, Edwards captures the fun of residing in the nation’s most improbable small town.”— Laura McBride, author of We Are Called To Rise
“A must read for all mystery and crime novel readers, Megan Edwards’ new novel (is) “Getting off on Frank Sinatra.”–Judy Shields, The Hollywood Times
“Full of plot twists, historical and unknown facts about Las Vegas like the neon signs junk yard, “Getting off on Frank Sinatra” is an entertaining mystery that will have you chuckle and on edge.”– Hampton Rhodes, zootscoop.com
A zany, fun, action-packed tale that will keep you laughing and turning the pages. The magic of Las Vegas and its cast of characters are on full-display and will completely charm you. Getting off on Frank Sinatra is entertainment worthy of Sin City, America’s entertainment capital.”– Deborah Coonts, author of The Lucky O’Toole Vegas Adventure Series.
“Megan Edwards views her adopted city with a journalist’s eye and an insider’s understanding of what makes us tick.”-— Brian Rouff, Author of Money Shot
“Megan Edwards spins a brilliant tale filled with sharp humor and characters who will lead you on a quintessential Vegas adventure. I cannot recommend it highly enough.”— Oksana Marafioti Author of American Gypsy: A Memoir
“A fun Las Vegas ride!”— Doug Elfman, Author/Journalist, Las Vegas Review-Journal
My life in Las Vegas improved dramatically when I started getting off on Frank Sinatra. That’s what I tell people. Then, while they’re still trying to figure out how to react, I continue.
“I’d like to get off on Dean Martin, too, but I just can’t. And in case you’re interested, Mel Tormé is too short, Hugh Hefner’s a dead end, and I can never remember whether Jerry Lewis goes both ways.”
The truth is, I can never even remember where Jerry Lewis is exactly, but I know there’s a street named after him somewhere on the west side. Hugh Hefner is really just a driveway next to the Palms casino, and Mel Tormé can claim only one block near the Fashion Show Mall. Frank Sinatra, on the other hand, really takes a girl places. When I-15 is jammed, I leave the red lights to the tourists and slip off to join the taxis and locals zipping unimpeded up the back side of the Strip. Dean Martin serves almost the same purpose on the other side of the freeway, but he didn’t rate an exit. So Ol’ Blue Eyes is my man. When life in the fast lane slows to a crawl, I know I can count on Frank for relief.
In fact, getting off on Frank Sinatra saved my life the time a crazed maniac in a jacked-up Ram pickup tried to push me off the freeway. If Frank hadn’t been right there offering a quick getaway, bits of my DNA might still be clinging to the embankment just north of Russell Road.
Now that I think of it, Frank Sinatra also helped me out the day I found my first dead body. It was the hottest day of the millennium, and I had not only discovered the bloody corpse of a local philanthropist, but I’d spent more than three highly stressful hours with a homicide detective who was trying to decide whether I was capable of mutilating a woman’s face and strangling her with a drapery cord. A traffic jam on the way home might well have turned me into a genuine psycho killer, but there was good ol’ Frank waiting to fly me to the moon. Or at least get me up to Flamingo without committing a felony.
I should never have found that body, let alone recognize that it belonged to Marilyn Weaver. Yes, that Marilyn Weaver, the founder of the most prestigious school in Las Vegas and the city’s best-loved altruist. I had met her only the day before, and I had met her son just that afternoon. How I ended up snooping in her bedroom, looking inside her closet, and entangling myself in a high-profile murder investigation is a perfect example of that plentiful Las Vegas commodity: bad luck. I’m going to call it bad luck, at least. Because if I don’t call it bad luck, I’ll be stuck agreeing with what I know my family and friends think: It was David’s fault.
Before my rendezvous with murder, David Nussbaum and I were as perfect a pair as Barbie and Ken. Like them, we were designed to complement each other. I’m blonde, and he’s dark. He’s Jewish, and I’m a WASP. We do have some things in common, of course. We both come from commuter towns north of Manhattan, and we both went to Princeton. I still think it’s ironic that we met in Las Vegas instead of on the East Coast, and until everything flipped upside down, it was my favorite coincidence. The day I hooked up with David was the day I smelled the roses, saw the birds, and heard the music. The morning he turned twenty-eight, I still lived in paradise.
By midnight, I’d moved to hell.
Trade Paper: $15.00 US / $20.50 CDN ISBN: 978-0997236903 — First Edition: March 2017
ePub: $9.99 US / $13.60 CDN ISBN: 978-0997236927
Audiobook: Unabridged 10 hours/44 minutes, Em Eldridge, Narrator
$26.00 US / $35.53 CDN ISBN: 978-0997236910
"In Roads from the Ashes, Megan Edwards and her husband Mark face this decision after their house in the hills of Pasadena, California, burns down in the Altadena wildfires of 1993. Finding themselves without a single thing to anchor them, they decide—reasonably enough—to wander. They scrape together the money to buy a four-wheel-drive behemoth of a home on wheels, and together with their dog Marvin they set out to reinvent themselves and their definition of home. Edwards also explores matters of identity—trying on new labels like homeless, unemployed, finding that they don’t fit, and that the old labels don’t either. There is also the inevitability of tension, bickering, of outright civil warfare in such close quarters, as well as the ability of a well-placed geothermal hot spring to heal heart, soul and marriage."--Tiffany Pace, (Mind Bets) (06/01/2019)
"This is an excellent memoir, originally published twenty years ago but well worth the re-run. By the end you will find yourself appreciating the introduction of life as the Edwards lived it for the seven years they traveled. An excellent picture of California life in the 1990's, the personal pain of losing all you possess in a single day, and the joys and angst of following your heart down back country roads in a four wheel drive motorhome." --Bonnie Reed Fry,
"This is a book to stir dreams of distant places, a remarkable journey down unknown roads of travel and self-exploration. Edwards relates the stories of their Amrican adventures and misadventures in the compelling style of a novelist, with humor, drama and brilliant imagery. A journey worth taking." --Al Martinez, Los Angeles Times (from a review of the 1999 edition)Read more...
In 1999, an elite interdisciplinary team headed by Nobel laureate Andrew Danicek gathered in California to carry out a ground-breaking time-travel experiment. While the rest of the world remained unaware, Julius Caesar was successfully transported from his last Ides of March to a specially-constructed covert facility.
"Picture a beautiful young woman racing down the freeway in a classic red Corvette with a distrustful Julius Caesar riding shotgun."--Sarah Rice, Booklist Magazine
"Fascinating characters and their often sad stories coalesce into an unforgettably wonderful tale of time travel and its consequences, thrilling one moment, tragic the next. In its diversity of settings and languages, its intelligent combination of experimental science with high culture, A Coin for the Ferryman creates a world in which Caesar emerges as a grand figure who is also a believably flesh-and-bone man, unperplexed by any adventure. Colossus though he is, Caesar cannot distract a reader from Cassandra, whose honesty and sensitivity render her a woman too strong to be hobbled even by historical inevitability."--W. Jeffrey Tatum, best-selling author of Always I Am Caesar, The Patrician Tribune, and Professor of Classics at The Victoria University of Wellington.
"Megan Edwards’ Julius Caesar takes charge of the narrative from the moment he appears. Neither the big brains of CALTECH nor the bright lights of Las Vegas intimidate him for an instant. Highly enjoyable!”–Greg Woolf, the Ronald J Mellor Professor of Ancient History at UCLA, and author of Et tu Bruté, The Life and Death of Ancient Cities, and Rome: An Empire’s Story.
“My love for Rome is eternal! You move through captivating twists of events with a plot within plot buildup. What kept me pondering even after I finished up the book was the part that was it all really fiction? What is myth – to me it’s only a fact with no evidence OR proof of the statement. But in this modern age, it doesn’t take time to gather facts and convert fiction to reality. From the days of Galileo to the present every fact was first considered either madness OR a myth. To me, this book presented that capability.”–Yamini Pandley, Goodreads.com
"In ironical concert with her detailed and daring fictions, her every account rings true. Indeed, historiographical theory informs the invented dialogues with Caesar as conqueror and writer of commentaries, of which the very Latin name avers, “made up.” –John Van Sickle, Professor of Classics & of Comparative Literature, City University of New York, Guggenheim fellow, and author of Virgil’s Book of Bucolics, the Ten Eclogues Translated into English Verse and The Design of Virgil’s Bucolics
“This is the best book I’ve read ALL YEAR. It was SO GOOD. I swear to god I haven’t read a book this good in so long I actually cried when I finished it. I’m not at all exaggerating. This is a new favorite book of all time for me. Whether or not you were considering reading this book, just do it. It is so enjoyable and interesting and intriguing from the very start.” Read more...
"Edwards’s prose glides as smoothly as Ted’s playing as she articulates how deeply teen love shapes her characters’ adult lives. Readers wanting to dwell on the melancholy of ill-timed loved will devour this beautiful novel." — Publisher's WeeklyRead more...